致1999年的自己

曾被Variety评为“十大必看喜剧演员”之一的冈冢敦子讲述她的爆笑人生。

父亲决定献身上帝，入寺为僧，性格内向的小克 (Sandro) 生活一下子失去了支撑与保障。父亲出家，母亲在国外工作，父母的抛弃令这个年轻人踏上了探索自我的旅程，不仅结交了与极右翼暗通款曲的激进分子拉沙，也不断为自己性方面的困惑寻求答案。                                                                    　　乔治·西哈卢利泽这部处女作颇为敏锐，探讨了观察者和受观察者之间的界限何其微妙。鉴于格鲁吉亚社会仍首鼠两端，一端为宗教保守与民族主义所裹挟，另一端则对独立与现代化充满渴望，因而影片提出了「格鲁吉亚社会在后苏联时期的当下该何去何从」的问题。

In this powerful documentary, Mama Yang, an 84-year-old woman living in New York, finds herself in correspondence with 45 high security prison inmates she views as her own children. Most are Chinese American immigrants, and see in Mama Yang a mother figure they never knew before they stepped through prison walls.                                                                    　　For Mama Yang though, the story is about more than Christian charity. She had already lived a full life in Taiwan when her husband died at age sixty and her son lost their house in a financial blunder. She moved to the US to start anew and lives with a Taiwanese American granddaughter that remains distant. In a film marked by family separations, Mama Yang writes letters – whether to the incarcerated or to her own granddaughter – to heal lifetimes of wounds.

缉毒警康苗追踪大毒枭“老鹞”，惊现其竟是失散兄长雷霆！12年恩怨揭晓，雷霆为救风灵被迫为毒枭卖命。猫鼠游戏升级，兄弟枪口相对！当正义与亲情碰撞，雷霆以命换救赎，康苗坚守信仰，誓破毒网！看人性挣扎，品正邪对决，禁毒路上，每一步都充满血与泪！