Followig the sudden death of her estranged brother, Lucia finds comfort through her brother's fiancée, Mariana. Though strangers at first, the two women slowly bond over their loss, sharing memories and stories of the man they both loved. Eventually they fall in love and Lucia finds herself at a crossroad. She must chose whether to return to her old life with her husband or embark on a new journey with her new found love.
一磅礴雨夜,Josef Bousou捂着伤口蹒跚回家,倒在了地上。
盛夏,Josef 是收废品的儿子,似乎脑子有问题,无法控制自己的行为,对所有人都是平行称呼,随便拿别人东西。小镇人厌恶他,把所有坏事情往他身上推。新装的泵被窃算他头上。他傻傻喜欢超市家的女儿,可人家有对象。他看到哥哥和对象亲热,自己也想,竟然非礼孤寡老妪。超市家的女儿污蔑他非礼,引来女孩家长警告他禁足。
出事那晚,Josef家人去度假,他一人留在家里,下雨天他偷偷跑去看超市家女儿。没想到第二天家人返回发现他早已死亡。警察介入调查镇上每个人。能否找住真凶呢?
Au c?ur d’un été caniculaire, dans un petit village à la tranquillité apparente, le quotidien des habitants est per...
犹太高中生丹尼(斯蒂文•卡普兰 Steven Kaplan 饰)在游泳池边跟晒太阳的朋友讲述着自己的不幸遭遇。原来,丹尼被点名筹办本届高中毕业舞会,但是身为单身汉的他连个一起出席的女友都没有。在家庭餐桌上,大伙都对丹尼的前景不看好,鼓励他先找个女友增加自信。于是,丹尼向热情奔放的拉拉队女孩伸出了橄榄枝,并且还在约会中拉来了身经百战的父亲(威廉姆•H•梅西 William H. Macy 饰)。不过,显然名不符实的父亲并没有帮到丹尼什么忙,反而令出尽洋相。此后,丹尼开始对肥胖好友展开了攻势,曾经针锋相对的两个人要想坦诚相见也并非易事。混乱中,课堂上一个亚裔女孩对丹尼示好,约他到家中共进午餐,不过巨大的文化差异还是让丹尼没办法获得泡妞的自信。面对重重困难,丹尼能够办成这场舞会吗?
It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do?
Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections.
While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.
St. Vincent sets out to make a documentary about her music, but when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.